daily practice

Winter Blues and Spring Imagined

Icy Missouri River on a bitter cold day

Icy Missouri River on a bitter cold day

Belated New Year greetings! The holidays have come and gone, with whirlwind travel and family visits, and Johntimothy and I have once again settled back into our daily routines at work. The days are busy, the weeks fly by and now, here it is February! We have just endured a week of record cold temperatures, with wind chills at such a dangerous level, the University of South Dakota (along with countless other institutions in the Midwest and beyond) closed for two days last this past week. Today it was a gorgeous 50+ degrees, but the warmth is short-lived as we’re bracing for another week of bitter cold ahead. What can you say….it’s winter!

Missouri River, Burbank, SD, January 30, 2019

Missouri River, Burbank, SD, January 30, 2019

The Missouri River, where we live, is beautiful no matter what the season. But winter brings a stark beauty, with a cool blue light to the view. We love to watch the ice flowing downstream, flocks of geese gathering on snow covered sandbars and the bald eagles swooping in from across the river to perch on the branches of the cottonwood trees.

I’ve been working in collage of late, glueing tiny bits of cut and torn paper in abstract arrangements. There are enough of them now that I am calling the series Paper Gardens, as some of them (some more than others) remind me of the way color and pattern come together in delightful ways in a garden. I work intuitively and these pieces are made in the same way, random bits here and there until the image….or the composition comes together and announces itself finished.

The collage pieces are made on beautiful 6” x 6” handmade paper and all of them can be found over at Missouri Bend Studio on Etsy. They are such fun to make! Playing with warm color and pattern takes the chill of winter away.

After a few months hiatus, I’ve also started the daily drawing project up again. I find that the small amount of time spent making a drawing each day….that is, the dailiness and the ritual of it, help keep me grounded. Each one is a small meditation, a tangible version of letting go and letting my thoughts move through and out of me onto the page. Each day is different and I never know quite what will emerge! Some drawings I like better than others, but the main point is the practice of making a daily drawing. Many of these are also available in my Etsy shop.

Daily drawing, February 1, 2019

Daily drawing, February 1, 2019

Daily drawing, February 2, 2019

Daily drawing, February 2, 2019

Hope your year has started off well. Despite some health issues that made for a rough January, 2019 is shaping up to be a good year…so far. I think I will able to spend more time in the studio, as my “other” work life is now becoming more routine. I’m looking forward to exploring some new territory.

Given the political situation, I’ve been thinking a lot about walls lately and beginning to explore ideas related to walls in some larger scale drawings. Stay tuned and I’ll share some work in progress and my thoughts about walls…through material, meaning and metaphor! Hope to see you next week!

 

Seeing the Unseen

One of the goals I have for the coming year is to become more observant. I want to pay more attention, to see with intent and learn to practice observing, rather than just looking. This notion occurred to me after seeing a David Hockney exhibition at The Met in NYC, as well as reading a recent book, which I purchased at the museum, A Bigger Message: Conversations with David Hockney, by Martin Gayford .

Hockney is quite keen on observing, passionately so, I would say. He is interested in looking with intention with his own eyes, but also utilizing lenses, cameras and the latest technology in service of expanding his view. He has paved the way for a new understanding of the historical use of lenses in artist’s studio before photography was invented. It’s the seeing what is actually there in front of us, not just what we think is there…the way light makes color possible, how we interpret space….all of it.

Although I am an artist, I wouldn’t say that I’m terribly observant. Often small details capture my attention or the way color and pattern create moments of interest for me, but generally, I could use a bit of more intentional practiced seeing to more fully appreciate and understand my surroundings. That requires mindfulness, being truly present and not having one's attention clouded by all that remains to be done...the next thing to do. So, along with the goal of becoming more observant, there must be the effort to slow down and pay attention. This is already looking like a slightly overwhelming task! But as I often remind myself, each moment is a moment of choice. We can choose to stop and pay attention. And the awareness of the choices we have before us in any given moment is actually quite humbling! That alone should bring us to a bit of stillness.

 

After the finishing (sadly) the book of conversations with Hockney, I read The Man Who Planted Trees: The Story of Lost Groves, the Science of Trees and a Plant to Save the Planet, by Jim Robbins, which is a truly intriguing book about all those things mentioned in the title! What I actually found most fascintating was the lesson on trees and forests, how they function and how integral they are to making life on our planet possible.

 

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This book was a reminder that no matter how observant we are about our surroundings and the natural world, our senses can only reveal so much....that there are limits, of course, to what we can possibly see or observe (unless you are scientist, I suppose). That includes the cell structure and the root systems of course, but also, for instance, the chemical aerosols that are continually emitted by the leaves or the communication system that is established in a forest of trees. We think we know what communication looks like...or sounds like, but it's happening all around us in astonishing ways. All your sustained observations can only give you a glimpse of the intricacies of our universe.

And one of the things that I came to understand in the daily drawing practice this week, came from having read that book. Oddly, I found myself drawn more to making drawings that didn't reference actual things in the outside world. By a certain point in the week, when I was making the drawing and I'd drawn some object, such as the leaves in the piece above (January 15th), I'd erase it (yes, those leaves are erased and barely visible....so for once, I'm dismayed at how good my new phone's camera is!)....or mask it like in that little square of paper covering up I can't recall what on the 13th. 

Daily Drawing, January 16, 2018

Daily Drawing, January 16, 2018

The drawing above for January 16th is completely overworked I think, but reflects the process of trying to find the expression. One of the things I struggle with (if it can actually be termed a struggle) in the daily drawing process, is trying not to make "art." Which means letting the drawing be the drawing and not trying to "fix" it or edit it. And at the same time, there is a need for satisfaction or resolution of some kind....or of having "said" the thing that needs to be said. In the end of course, I want them to be art, artful at least, but it has to come through the back door, otherwise I put too much pressure on myself. 

So, you may feel differently, which would be delightful to me, but my favorite from this week is from January 13th. It feels spare and minimum and a bit odd and though it may call to mind "things" of the world, there isn't an actual depiction. I may see it all differently next week, but now that little grassy mound on the 14th makes me want to block it out. I won't, but I long to!

All this is to say, even as I attempt to be more observant in this world and of this world, my real interest is in somehow giving voice to the things we cannot see, the things we cannot name and those which are fleeting and ephemeral. And maybe that's where the seeming irony of seeing the unseen comes into play....if you aren't careful and watchful, you miss all those glittering gems of experience....like the way the fleeting shadows fall across the floor just at the moment you happen to turn your gaze or how the trunk of a tree reflects a warm golden pink in the afterglow of a certain sunset. 

All these little dailies (minus January 16th, which I've rejected) are all available at Missouri Bend Studio should you want to look further. If these thoughts resonate at all, please feel free to comment or contact me....I'm always interested in the conversation! Cheers!

 

 

The Daily Practice: Krishna Mastel

Abstract Wormhole, 8-27-17

Abstract Wormhole, 8-27-17

Welcome back to another investigation into the work of a different artist and how the daily practice informs the work. Krishna is a friend of mine here in South Dakota with a background in photography.  She is also a busy working mother who strives to keep an aspect of her artistic life alive and supported. I recently began following her on Instagram and realized she too was keeping a daily practice in the form of some really interesting abstract photographs. Recently, Johntimothy and I invited Krishna over for lunch and spent a delightful afternoon talking about our various artistic explorations, along with our respective daily practices and how they inform our lives. My original intention was to somehow capture that lively conversation for our readers, but it was too overwhelming! Instead, I asked Krishna to just give us the gist of her practice....how it began and how it plays out in her life. Below are Krishna's words...and images. Enjoy!

Abstract Wormhole, 10-27-17

Abstract Wormhole, 10-27-17

I began to use the practice of daily abstract as a means to hold myself accountable to myself. Accountable for taking the time to focus on an abstract photography collection that I started several years ago and had not pursued to my satisfaction. In late spring and early summer, I made the conscious decision to work on exploring and developing my abstract work. By late summer, this had morphed into making my work on the collection part of my day.  
 

Abstract Wormhole, 6-17

Abstract Wormhole, 6-17

In my photography, I primarily use 35mm film or a digital camera; however, I also explore with photograms and cyanopaper. The abstract collection consists of different interconnected series. The work explores individual perspective, humanity, the universe, time, and space. 

Abstract, Kaleidoscope 10-17

Abstract, Kaleidoscope 10-17

The daily practice is loose. I don't put rules or restrictions on it. I want to keep a playful feel to it. I have found that my daily abstract practice helps me keep a balance in my life.  I have posted a few of my images on Instagram @KMastel. I welcome you to visit me there and also any questions or comments.

Abstract, Kaleidoscope 10-20-17

Abstract, Kaleidoscope 10-20-17

 

The Daily Practice: Bonnie Kayser

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As readers of this blog know, I am committed to a daily drawing practice (when life doesn't intervene!) and I am also curious about other artists who have a daily practice of some kind, as well as the different ways the practice can play out.  I met Bonnie Kayser not long ago on Instagram where I post my daily drawings. We struck up a conversation and found that we were kindred spirits. Bonnie also has a daily drawing practice and I've invited her to share some thoughts and images with you. Hope you are inspired as I have been!

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It was last June as my students walked out the studio classroom door, when my then sporadic drawing efforts unofficially shifted into a daily practice. My own work had been taking an increasingly deeper backseat to the support of fledgling art students. While a worthy, consuming passion in it’s own right, teaching had left me parched and hungry for the process of art making.  Thus, as summer began, my appetite was achingly strong for the nourishment of my soul food! 

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While there was no particular plan for my new routine, nor for the direction it might take, my sketchbooks seemed to lure me in at least once a day. At first, the art was completely random in nature. Each day a new medium, style, content, found expression on the pages. Direction didn’t matter. Time with charcoals, pastels, pencils, inks and pens was taking me back home to myself as an artist. 

Now, as bright autumn leaves drift to the ground, I continue to show up at the page each day - grounding myself. 

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My artist home is incredibly personal, while at the same time absolutely public. The daily sessions with my sketchbook heighten my awareness on many levels. Certainly, visual acuity is increased as I go through the day pausing to examine intriguing textures, colors, and creating compositions. Yes, I’m the one who is stopped by the side of the road to capture the storm clouds brewing or the remains of an eagle’s wing. The more I draw, the more I notice the specifics of things; I become curious about different vantage points, how things work, their history, how they feel both to the touch and or energetically. It is this heightened awareness, this curiosity, ignited by a regular drawing practice that opens me up to the world in an authentic way. It does not matter what I am physically drawing. More often than not, the content is visually abstract. The connection is created rather in the process of the making, what that process ignites within, as well as within others. Sharing my work takes the process to another level. Dialog and experiencing others creative responses to the world completes the circle of connection for me. Personal and public. 

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Drawing daily truly keeps me grounded in a way nothing else really can. By design, I do not put any rules or goals on my practice other than making it happen. This is important for me. Each day the page before me is blank, open to anything. At times in my life that has been intimidating. Now it is like freedom defined! These pages are my playground, science laboratory and journal all rolled into one magical place. They need to be uncensored, without boundaries or requirements. There are other places for more structure in my artwork. Daily practice is definitely my refuge for creative expression and grounding. 

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BK photo sketch SQ.jpg

Sweet surprise: this daily practice of showing up for myself affirms for me I AM an artist. It’s not about how “good” or “talented” I may or may not be. It’s not about how I make my living. It is about how I think, what and who I am drawn to, what ignites my passion, where I choose to live….really it is how I move in the world. All this from a daily, abstract drawing? It would seem to be, yes. 

I share my drawing practice on Instagram, and welcome anyone who wishes to join the conversation to visit me there! @bonniekayserart

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The Dailies: A Studio Update

Mid-week greetings! Hard to believe we're already into November, but the two daily projects I am involved with keep me well aware of the relentless passage of time...and the exact date. I thought it was time to revisit the dailies we've got going and share some of the latest images with you.

We're into the third week of the daily print project, in which Johntimothy creates and then prints a different small plate each week, one print for every day of the week. I respond to those prints with drawing and watercolor on a daily basis. As you can see from the images from the first part of this week, they take a slightly different turn each day. These pieces can all be found in our collaborative Etsy shop, TheArtFilledHome. I try to keep up with getting them posted on a timely basis, so if you don't see the latest ones, check back frequently! Because the works from each week are so related, based on the underlying print, I think a few together would make a nice grouping. The week unfolds top to bottom below.

The other long-standing daily drawing project is going along as well. These daily drawings, pictured below, and countless others can be found over at MissouriBendStudio on Etsy. One thing that is new about the most recent drawings from the last couple of weeks is that I've expanded the size a bit. Rather than 6"h x 4"w, the pieces are 7" x 5". Also, as you will see, I've give myself permission to change orientation at will, so whereas they used to be strictly vertical (for years!), sometimes now they are horizontal. It's all about being in the moment when I make the drawing. 

So, last week I ran out of the various types of Japanese paper I've been using for a long time. Johntimothy was returning from a visiting artist stint out of town, so I had him buy some new sheets at the Dick Black in Omaha. The drawings on this new paper, which is a Thai bleached mulberry, take an interesting turn, at least to me. I'm still getting used to the bleached whiteness of this paper, but I am also finding that the texture and the density of the sheet is much different, so new possibilities are opening up. On the paper shown above, it was very difficult to draw with pen and ink, as the paper had so much fiber and texture the pen would get caught and the ink would bleed. While I love that warm tone of the paper above and will continue to use it in my other work and no doubt, at some point return to it for the dailies, I'm curious about the possibilities this new paper will allow to unfold. Oh! the other thing about these new larger drawings is that I'm prepunching two holes at the top, so you can just easily hang them with two tiny pins in the wall....very informal, yet elegant, especially when there is a grouping of them. The first couple days of November are below.

I am changing things up a bit, which keeps me motivated, engaged and learning. That alone is a good lesson.....if you feel as if you are in a rut, make some small change and watch the ripples unfold. I added an inch in size to the drawings, I went reckless and allowed myself a vertical AND a horizontal orientation and now, I've gone and changed the paper....no telling what will unfold from here!! Stay tuned and thanks for your interest. Feel free to comment....happy to have the conversation if you are reading this blog. And if you have a daily process that you'd like to share, let me know!

One last note, Missouri Bend Studio has an email newsletter that comes out the first of each month. If you are interested in subscribing so that it reaches you directly in your in-box, just sign up here. Remember that you can also subscribe to these blog posts, right here on the blog sidebar. I look forward to hearing from you....see you next week!

 

The Daily Monoprint Project!

A new daily series is born! Late last week Johntimothy laid a couple prints on my desk from an engraving plate he was working on. He thought it might be fun for me to play with them....a little watercolor or drawing on top, just to see what happened with them.

Eventually, at the beginning of the week, I took some time with one of them....and the next day, another. Then it occurred to us that these were collaborative monoprints and they might be another fun daily project for us to share for sale in The Art Filled Home. That engraving plate had had some revisions throughout last week, but he went ahead and printed five more and each day this week I've been engaging with them in a new way. We have the first six days of this week here to show you and are in the process of listing them in the shop.

October 17, 2017 daily monoprint

October 17, 2017 daily monoprint

A lot can change, depending on the colors I choose and the drawing marks I make. I love the raised surface of the printed engraved line....so crisp and clean. We are still working out the details of how this daily project will proceed as we move forward into next week. He has a number of these tiny 4"h x 2"w plates currently underway. We've decided there are no hard and fast rules, except that it's one plate per week. The plate may be finished already and be printed 7 times or he may be working on it throughout the week and the plate will change daily as well. 

October 18, 2017 daily monoprint

October 18, 2017 daily monoprint

If you look closely, you can see that the engraved print underneath will have changed from one print to another. Also, because there was no particular orientation to the original print, I may have flipped it from one day to the next and felt it read better in a different way depending on what I'd done with it.

October 19, 2017 daily monoprint

October 19, 2017 daily monoprint

Yesterday (above), I got a little heavy handed, since I started out with gouache instead of watercolor. Much of the lower portion of Johntimothy's beautiful engraving print is obscured, but I can still see it and I think the sense of layering makes it interesting. Still, I think I've learned to stay away from the gouache for this process!

October 20, 2017 daily monoprint

October 20, 2017 daily monoprint

That may explain why I pulled way back and kept the drawing pretty simple today....just playing with my favorite mark, the humble dot, to carry the flow of the engraving marks. There's something to be said for the beautiful contrast of simple black and white, that's for sure! Of course, I don't need to tell that to a printmaker. We're happy with this project and look forward to sharing the results here on our blog and in our shop.

I like the fact that the prints from any particular week can make a nice grouping, as they share that underlining engraving drawing. The first couple mono prints are listed in TheArtFilledHome and the others will soon follow, so please check back often! Hope you enjoy your weekend!

 

The Image or the Object

Johntimothy and I spend much of our days in the studio….making things. We create prints or drawings or mixed media works. My works are one-of-a-kind and some of his are as well, but he will also produce small hand-printed editions. Sometimes we collaborate and make pieces that involved both of us working in our different ways on a single work. At our core, though, we consider ourselves makers of things, which is to say that the works we make are tangible and can be held in the hands. They have a physical presence and a tactile quality, whether that comes from paper dipped in beeswax or the raised ink on a hand printed etching or engraving. We come from a generation that values the object.

 

As a maker who would very much love to sell my work and send these pieces out into the world to folks who will love and appreciate them, I’ve been giving this notion of “the object” some thought, in light of the way that technology has revolutionized our culture. I have work available for sale in the Missouri Bend Studio shop here on this website, as well as through Missouri Bend Studio and The Art Filled Home on Etsy. I post fairly regularly on Instagram and Facebook and my work can be found all over Pinterest. While I do have many appreciators and buyers that I value greatly, and with whom I have established warm relationships, I struggle with the “business side” of selling the work.

The old tired line is that artists are not business minded and while that may be somewhat true for some, learning to engage in marketing and run a business, is really just another skill set….much like drawing. I believe anyone can learn to draw, as it is a matter of eye-hand coordination, and the basic skills can be taught and learned through practice. But, that’s another whole topic of conversation. I’ve learned a great deal in the past few years about various online platforms and navigating the ins and outs of creating websites, online storefronts, etc. While my first love is creating the art, I do love the work of engaging with people all over the world and am interested in maintaining the balance of time spent in the studio along with the business end of things.

 

But….here’s the thing. In our current culture, I am beginning to wonder if, for many folks, the image alone is enough. That is, perhaps now that everyone views most everything through the screen, whether on a desktop, laptop or a mobile device, we are so used to seeing images of things rather than the things themselves….well, one may have replaced the need for the other.  Perhaps the notion of purchasing no longer occurs to someone who sees a piece of artwork that they love, when the image of it can continue to be seen in an image feed, saved to a Pinterest board or captured in any number of other ways. Who needs the object, when you have a picture that represents it? For some, the image alone is satisfactory....it's good enough.

These various online platforms, that continue to multiply in new and exciting ways, provide astounding opportunities for exposure across the globe. I am thankful for the love and support of countless folks near and far, who let me know that my work inspires or brings joy.  I do send small works out several times a month, yet I have begun to seriously wonder about this notion of “the image” or “the object.”

These musings are not just about selling my own work, but have to do with the larger issues about our experience of the material world and whether we are living so deeply in the technological world that we are losing out on deep levels of tangible experience in nature…in the real world. We may be engaged and simultaneously disconnected. 

There is a vast range of experience that is missed when we only see the image of something, rather than the thing itself. Ink or paint on a surface, the nuance of color against color, the way changing light makes the work appear differently. Subtle marks can be missed entirely when viewing only online. I am always aware, when seeing or saving an image online, that it is just a kind of facsimile. The image points to the object, which exists somewhere else, but can by no means be replaced by an image of it. I fear the day when we no longer know the difference.

All this runs through my head even as I entertain the idea of creating an online subscription of the daily drawings or try to figure out new ways to market the work online. I continue to come back to the notion that there is no substitute for the object, as least in the work that I create. I would love to hear from you about your views on these issues. This post is a conversation starter, so feel free to let me know your thoughts here in the comments.

In the meantime, the visuals on this post are some of the recent daily drawings, available for sale at MissouriBendStudio on Etsy. (Buy 5, get one free….it’s a great deal!). I try to post them each day on Instagram, so go ahead and follow me there if you like. But remember, they are better in person….there's no substitute for the real thing.

 

Trace Drawings: A Daily Practice

the daily practice with lights out

the daily practice with lights out

Johntimothy has a daily practice that we'll share with you today. As seen in the photo above, he makes "trace drawings" from the reflections of the light passing through glass. In playing with the arrangement of objects and tracing the lines in the reflections, he creates beautiful abstract drawings filled with pattern and wonder! I asked him a few questions about his daily practice so he could share some of the process with our readers.

the daily practice with lights on

the daily practice with lights on

Your daily drawings are the result of the play of light and shadows on glass. How did you come to use this process?

For the longest time, I have been captivated by shadows and reflections. It was early on in my time in Sarasota, now decades ago, that I first traced the reflections from a water glass on a cloth tablecloth at a holiday function. I enjoyed the translation of the image into line. Since that time, I’ve played with these trace drawings off and on. Now, that I am on sabbatical for the semester, I decided to reengage with the idea more in depth as a basis for a daily practice.

daily drawings (detail 1)

daily drawings (detail 1)

daily drawings (detail 2)

daily drawings (detail 2)

What do you enjoy the most about the process of these trace drawings…or what do you find most satisfying?

It’s an image, but not an image. It’s actally an image from the external world, but abstract. Someone looking at these drawings would not know that they are drawings of the reflections of light passing through glass.

There is a meditative quality to drawing them and that was part of what drew me to making them. In one sense, I don’t have to think about it and I can just be in the moment, with the drawing. Partly, I hoped this process would help me find a direction for my work.

When they are all laid out in a line on the floor…it is kind of fun. They are a timeline, a visual timeline. I am fascinated by how they flow together and part of that is because of the repeated lines and marks of the drawn shapes.

laying out the daily drawings....most recent first, moving back in time

laying out the daily drawings....most recent first, moving back in time

Daily drawing timeline

Daily drawing timeline

Do you see these drawings as an end in themselves or do you find yourself visualizing them translated into prints?

No, I don’t see them as being anything more than what they are at this point in time. That would be a forced thing, so I am happy with them just being what they are.

daily drawings (detail 3)

daily drawings (detail 3)

daily drawings (detail 4)

daily drawings (detail 4)

 

Meditation Through Drawing: Notes on the Daily Practice

Daily Drawing August 19, 2017

Daily Drawing August 19, 2017

 

I’d like to talk a little bit here about the daily drawing ritual that keeps me grounded and balanced.  I call the practice Drawing Meditation, as it shares some similarities with a more traditional sitting meditation that focuses on the breath.

Meditation can take many forms, but often one sits quietly and focuses on the breath, working to detach from the thoughts and distractions that inevitably flood the mind. The idea, as I’ve always understood it, is to let go and not get caught up in the “monkey mind” that keeps us all on edge and off balance.

August 20, 2017 daily drawing (sold)

August 20, 2017 daily drawing (sold)

I do this same thing through drawing. I sit down each morning with a sheet of 6” x 4” blank Japanese paper and a pencil and often a bit of watercolor. With no attempt to make a particular drawing, that is, with no idea what will emerge, the drawing begins. The process is one of letting go, as I let my hand make the marks on the page. There is a kind of remove, as I become the observer, detached….there and not there, fully present but not exerting control….letting go.  In this practice, watching your hand move across the page is akin to focusing on the breath. 

Daily drawing August 21, 2017

Daily drawing August 21, 2017

If you are in a mindful state and not exerting control, there will be a kind of detached wonder at what emerges on the page.  Remember, that inner critic has been banned from entering the room, so you are free! Think of it as a kind of dance. You will know from within when you are finished. Since there are no rules, there is no need to fill the page…there may be just a few stray marks, but you will be in tune with your own sense of balance and composition, the weight of line, the sense of space etc. What emerges on the page may not be anything you recognize in the outer world around you. At the end, the drawing you've made may or may not be to your liking...but, the product isn’t the point. I believe that you will have begun to tap into your inner landscape….that place that is your source, where your knowledge and wisdom reside. 

Daily drawing August 22, 2017

Daily drawing August 22, 2017

My drawing meditation practice may last just five or ten minutes, but there are no rules, so it might take you longer. But the idea is not to labor over it....if you find you are putting effort into thinking about it  or about what to do next, you may not be in the flow of it. Like anything, it may take practice, so If you are new to this, it may take some time to be able to relinquish control. You are not making a “drawing”, but the drawing is reflecting you, in a sense.  Over the course of time, with such a daily practice, you will begin to see and have a sense of your own mark making and I also believe you will develop a new kind of trust and connection with yourself. Strangely, in the process of letting go, you may feel more in touch.

Daily drawing August 23 2017

Daily drawing August 23 2017

I’ve carried on with this daily practice on and off for many years now. There are periods when I drop it or the dedication falls by the wayside, not necessarily intentionally, but because life gets a bit crazy. But I am also reminded how important and fundamental it is for me when I return to it. My sense of equilibrium and balance is restored. 

Daily drawing August 24, 2017

Daily drawing August 24, 2017

I've shared here a week of daily drawings....each one different, each one a reflection of a the few introspective moments when time slows down and the inner landscape reveals itself. The invisible made visible.

I have many of these daily drawings, the result of this meditation practice, available at a reasonable cost in my Etsy shop, Missouri Bend Studio. Countless dozens are available in the shop and hundreds more lay about in stacks in the studio. That may seem contradictory to everything I’ve just said about the process not having to result in a product. Let’s talk about that next time….I have some thoughts to share!

In the meantime, before I post today's daily drawing, just a note to let you know I am planning a newsletter that will go out the first of each month (or thereabouts!). In addition to news and updates, newsletter subscribers will receive a discount on purchases in the shop here at Missouri Bend Studio. I'd love it if you subscribed! You can do that by filling out your name and email address on the form located on the About Us page here on the website. Don't worry, your contact information stays here. I'm still working out the ideas and format for the newsletter, so please let me know if there are things you'd like to see or hear more about. Look forward to hearing from you....enjoy your weekend!