daily drawings

The Tangled Web of Complexity

Abandon the urge to simplify everything, to look for formulas and easy answers, and begin to think multidimensionally, to glory in the mystery and paradoxes of life, not to be dismayed by the multitude of causes and consequences that are inherent in each experience—to appreciate the fact that life is complex.
— M. Scott Peck
Daily Drawing, February 20, 2018

Daily Drawing, February 20, 2018

The daily drawings have much to teach me if I pay attention. What comes forth each day, as my hand moves across the page without forethought, is like a window into my inner world. For some time now, I've been making these drawings of intertwining lines....all tangled and tumbling. For me, they represent a study in complexity...a kind of metaphor. 

These drawings are a reminder to me of just how interconnected everything is....patterns in nature, events unfolding, relationships, our mind and body....all of it. We are intertwined with the earth, with the trees and the creatures, our actions ripple out to effect other events in the world. There are times when these ideas overwhelm, and others when it all seems magical, reminding me of my connection to all things. 

Index of Days, no. 7

Index of Days, no. 7

These interlocking lines take different forms, sometimes gently overlapping, others tangled. They keep finding their way into the work and I sense they are becoming a thing unto themselves....as shapes and forms, as well as metaphor.  Much to explore. As winter snows continue to arrive on our doorstep, my quiet pursuits in the studio unfold. For now, these tangled lines are becoming my subject. There are plenty of examples of this theme visible in the daily drawings of MissouriBendStudio if you'd like to see more. Cheers!

 

 

 

An Expanded Missouri Bend Studio Shop!

Greetings on a  blizzard-filled day here on the Plains! We've had quite a bit of snow throughout the day, but neither of us had to leave the house (not that we could anyway) as the university had cancelled classes, so we had a lovely day inside...mostly. I managed to finish the task of closing The Art Filled Home, our collaborative Etsy shop, but not before transferring all the listings to Missouri Bend Studio. All the works that lived their short life (in near oblivion!) in The Art Filled Home will hopefully now find viewers and a loving home. You can find all those mixed-media one-of-a-kind print based pieces in the Collaborations section of MissouriBendStudio. As readers of this blog might remember from earlier posts, the daily print series we worked on together this fall are there, but also the older pieces some of which are shown in this post. The piece above was part of a series done in 2014 for a joint exhibition we had at the University of South Dakota. 

A Gathering of Stones, above, and the one below are from last spring when we began the shop. It was a continuation of that earlier series in terms of format, but with a different color palette and imagery. Johntimothy created layers of lovely silkscreen patterns, which I responded to with drawing and painting. Now that he's back teaching classes full time, we have to figure out a new collaborative series, so stay tuned!

So, winter storm Jaxon was slow to materialize, but I guess he was everything they predicted....I'm not sure how much snow this is, but Johntimothy probably does, as he spent a few hours this afternoon, along with the neighbor, shoveling us out. The snow was beautiful coming down, but the winds created white-out conditions, so hope folks stayed off the roads!

January 22 2018 snow.jpg

Meanwhile, I've been experimenting with new possibilities for the daily drawings, but due to supply constraints, I've returned to using the Japanese rice paper/beeswax....I have a good amount of the paper and the beeswax is pretty irresistible. I'll save the good (BFK Rives) for larger drawings....it's expensive and I would pretty much decimate Johntimothy's supply if I used it for the daily drawings. Here are a couple of the latest dailies.

Daily Drawing, January 22, 2018

Daily Drawing, January 22, 2018

I've begun another series of drawings that explore the possibilities of white on white, which I'll share with you in the next post. They are mixed media with painting, ink, pencil, collage and embroidery. One is finished and the next one nearly so. I'll be back by the end of the week to share those with you. Hope your week has started off well....see you soon...cheers!

 

Seeing the Unseen

One of the goals I have for the coming year is to become more observant. I want to pay more attention, to see with intent and learn to practice observing, rather than just looking. This notion occurred to me after seeing a David Hockney exhibition at The Met in NYC, as well as reading a recent book, which I purchased at the museum, A Bigger Message: Conversations with David Hockney, by Martin Gayford .

Hockney is quite keen on observing, passionately so, I would say. He is interested in looking with intention with his own eyes, but also utilizing lenses, cameras and the latest technology in service of expanding his view. He has paved the way for a new understanding of the historical use of lenses in artist’s studio before photography was invented. It’s the seeing what is actually there in front of us, not just what we think is there…the way light makes color possible, how we interpret space….all of it.

Although I am an artist, I wouldn’t say that I’m terribly observant. Often small details capture my attention or the way color and pattern create moments of interest for me, but generally, I could use a bit of more intentional practiced seeing to more fully appreciate and understand my surroundings. That requires mindfulness, being truly present and not having one's attention clouded by all that remains to be done...the next thing to do. So, along with the goal of becoming more observant, there must be the effort to slow down and pay attention. This is already looking like a slightly overwhelming task! But as I often remind myself, each moment is a moment of choice. We can choose to stop and pay attention. And the awareness of the choices we have before us in any given moment is actually quite humbling! That alone should bring us to a bit of stillness.

 

After the finishing (sadly) the book of conversations with Hockney, I read The Man Who Planted Trees: The Story of Lost Groves, the Science of Trees and a Plant to Save the Planet, by Jim Robbins, which is a truly intriguing book about all those things mentioned in the title! What I actually found most fascintating was the lesson on trees and forests, how they function and how integral they are to making life on our planet possible.

 

Man Who Planted Trees.jpg

 

This book was a reminder that no matter how observant we are about our surroundings and the natural world, our senses can only reveal so much....that there are limits, of course, to what we can possibly see or observe (unless you are scientist, I suppose). That includes the cell structure and the root systems of course, but also, for instance, the chemical aerosols that are continually emitted by the leaves or the communication system that is established in a forest of trees. We think we know what communication looks like...or sounds like, but it's happening all around us in astonishing ways. All your sustained observations can only give you a glimpse of the intricacies of our universe.

And one of the things that I came to understand in the daily drawing practice this week, came from having read that book. Oddly, I found myself drawn more to making drawings that didn't reference actual things in the outside world. By a certain point in the week, when I was making the drawing and I'd drawn some object, such as the leaves in the piece above (January 15th), I'd erase it (yes, those leaves are erased and barely visible....so for once, I'm dismayed at how good my new phone's camera is!)....or mask it like in that little square of paper covering up I can't recall what on the 13th. 

Daily Drawing, January 16, 2018

Daily Drawing, January 16, 2018

The drawing above for January 16th is completely overworked I think, but reflects the process of trying to find the expression. One of the things I struggle with (if it can actually be termed a struggle) in the daily drawing process, is trying not to make "art." Which means letting the drawing be the drawing and not trying to "fix" it or edit it. And at the same time, there is a need for satisfaction or resolution of some kind....or of having "said" the thing that needs to be said. In the end of course, I want them to be art, artful at least, but it has to come through the back door, otherwise I put too much pressure on myself. 

So, you may feel differently, which would be delightful to me, but my favorite from this week is from January 13th. It feels spare and minimum and a bit odd and though it may call to mind "things" of the world, there isn't an actual depiction. I may see it all differently next week, but now that little grassy mound on the 14th makes me want to block it out. I won't, but I long to!

All this is to say, even as I attempt to be more observant in this world and of this world, my real interest is in somehow giving voice to the things we cannot see, the things we cannot name and those which are fleeting and ephemeral. And maybe that's where the seeming irony of seeing the unseen comes into play....if you aren't careful and watchful, you miss all those glittering gems of experience....like the way the fleeting shadows fall across the floor just at the moment you happen to turn your gaze or how the trunk of a tree reflects a warm golden pink in the afterglow of a certain sunset. 

All these little dailies (minus January 16th, which I've rejected) are all available at Missouri Bend Studio should you want to look further. If these thoughts resonate at all, please feel free to comment or contact me....I'm always interested in the conversation! Cheers!

 

 

The New Year Unfolding

River view Jan 5 2018 SQ.jpg

Happy New Year, dear readers! Please forgive the long absence, but we had some complicated and extended holiday travels that had us criss-crossing the country on a trip that entailed trains, planes, automobiles....and a ferry ride! Somehow, I'm not able to think clearly enough to post images online or anything else when I am not at home at my desk, which doesn't quite make sense in today's mobile environment. But, no doubt you were busy as well with all the holiday festivities and New Year celebrations. Now, I'm quite settled in at home and in the studio, ready for a creative burst to blossom in this new year.

Johntimothy and I arrived home on New Years Day after three weeks of travel that included stops in Chicago, New York, Pittsburgh and St. Paul. The New York City stint was all about visiting museums and taking in the sites of New York that we'd not seen...hence the Staten Island Ferry ride, which was, of course, a delight! We made it to the Morgan Library, Metropolitan Museum of Art and The Dia: Beacon, all of which gave us enough inspiration to keep us nourished for the next year. We saw the Michelangelo exhibition at the Met, but the real highlight for both Johntimothy and me was the David Hockney show in the adjacent galleries. I love Hockney's paintings, especially the landscapes of the recent decade, but what I admire most is his relentless curiosity and passion for delving deep into his interests, pursuing everything to the fullest extent. Always an observer, Hockney inspires me to want to take more care, pay more attention....to observe my own world in ways I'd not taken the time to before. 

Meanwhile, as most folks in the United States know, it's been a period of brutal cold and South Dakota has been no exception. Here's the view a few days ago from up on the banks of the Missouri River at the edge of our backyard. That ice was flowing swiftly downstream on it's way to the Mississippi River. Today we hit 50 degrees, which was cause for celebration and a walk outdoors, but we know more cold and snow is on it's way....what else can you expect...it's winter and it's South Dakota!

When we got settled back home, I spent some time in the studio, thinking about what should be next. I had a stack of daily drawings from several years ago that had been part of a collaborative exhibition at USD and as I started looking through those drawings from early 2014, I realized how much I still loved them. That meant that it was time to quit holding on to them, so I decided to send them out into the world through the Etsy shop. Seeing them, also spurred me into changing up the new dailies, at least for now. So, I've started listing some of my favorites from that series, such as the ones posted here, over at MissouriBendStudio. Please stop by and check them out! What I loved about these is the way the BFK Rives paper was sturdy enough to hold a fair amount of ink, so I could do some more involved drawing than I'm able to do on the Japanese rice paper. 

January 28, 2014 daily drawing

January 28, 2014 daily drawing

I don't have any more of that great paper on hand, but I've started shifting the dailies in the same direction on another kind of paper....though it's not so wonderful as the Rives. We'll see what develops with these. For now, I've put the beeswax away in order to explore (or reexplore) some new territory. 

I hope you have found some new sense of inspiration for the of this new year. I'm a bit late getting started, but I'm thinking of goals for the year....along with making a list of the things I'm curious about and want to investigate. I think curiosity is essential....on some level, isn't that what keeps us motivated and what gets us out of bed in the morning? What will this new day bring forth?

Until next time....enjoy your week! Cheers!

 

Nothing Is Something

This morning, during the course of making the daily drawing, I found myself reflecting on the direction the drawings have taken of late. I’ve been feeling that I’d been slowly moving into a kind of robot mode, which is the point at which the purpose of a daily practice needs a reset….a pause for reflection. There is a danger of letting the whole routine of it become an end in itself and then, well, you find yourself in a rut. I wasn’t there exactly, but something was telling me to bring my attention back to the mindfulness of the process.

One of the positive aspects of a simple drawing practice like this is that you can step outside yourself in a way, because you are not working at making art, but allowing the drawing to unfold. I have noticed over the past couple weeks that I am now drawn to a kind of spare composition that is somewhat new to my work. The daily drawings have always been rather spare, but this is a different kind of thing. The contrast with a piece shown here from The Notes From the Ancestors series maybe gives you an idea of the direction the work is moving. Most of my previous work was dense, layering and brimming with pattern, image and texture.

Notes From The Ancestors no.2

Notes From The Ancestors no.2

Maybe I’m more actively exploring the notions of emptiness, pushing the boundaries of the space and finding myself drawn more and more to a simple elegance that allows nothing to be something.

Images of the spare elegance of Japanese interiors and the balance reflected in all things wabi sabi, float inside me as these drawings unfold. Often I find that the daily drawings inform my other work and I am curious to see how this will play out....what the new pieces will have to teach me.

 

November 17, 2017

November 17, 2017

Earlier in the week I finished a larger piece (11" x 8 1/2") playing with the twisting lines, in anticipation of a series of such compositions. Went back to adding some embroidery to the drawing as well....I do love sewing on paper! I find is very rewarding when there is a flow of conversation between the daily drawings and the other work that unfolds in the studio.

The Thanksgiving holiday is nearly upon us and Johntimothy and I are looking forward to spending the time with extended family. It means an interruption to the rhythm of the studio and making the daily drawings, but it's good to remember we are not slaves to these routines....they are meant to enhance and expand our lives, not confine us. With that, I give myself a week or so off from the practice and will return refreshed and renewed! 

If you are in the United States....wishing you a happy Thanksgiving and hope you find a host of things to be thankful for in your life. See you soon!

 

The Dailies: A Studio Update

Mid-week greetings! Hard to believe we're already into November, but the two daily projects I am involved with keep me well aware of the relentless passage of time...and the exact date. I thought it was time to revisit the dailies we've got going and share some of the latest images with you.

We're into the third week of the daily print project, in which Johntimothy creates and then prints a different small plate each week, one print for every day of the week. I respond to those prints with drawing and watercolor on a daily basis. As you can see from the images from the first part of this week, they take a slightly different turn each day. These pieces can all be found in our collaborative Etsy shop, TheArtFilledHome. I try to keep up with getting them posted on a timely basis, so if you don't see the latest ones, check back frequently! Because the works from each week are so related, based on the underlying print, I think a few together would make a nice grouping. The week unfolds top to bottom below.

The other long-standing daily drawing project is going along as well. These daily drawings, pictured below, and countless others can be found over at MissouriBendStudio on Etsy. One thing that is new about the most recent drawings from the last couple of weeks is that I've expanded the size a bit. Rather than 6"h x 4"w, the pieces are 7" x 5". Also, as you will see, I've give myself permission to change orientation at will, so whereas they used to be strictly vertical (for years!), sometimes now they are horizontal. It's all about being in the moment when I make the drawing. 

So, last week I ran out of the various types of Japanese paper I've been using for a long time. Johntimothy was returning from a visiting artist stint out of town, so I had him buy some new sheets at the Dick Black in Omaha. The drawings on this new paper, which is a Thai bleached mulberry, take an interesting turn, at least to me. I'm still getting used to the bleached whiteness of this paper, but I am also finding that the texture and the density of the sheet is much different, so new possibilities are opening up. On the paper shown above, it was very difficult to draw with pen and ink, as the paper had so much fiber and texture the pen would get caught and the ink would bleed. While I love that warm tone of the paper above and will continue to use it in my other work and no doubt, at some point return to it for the dailies, I'm curious about the possibilities this new paper will allow to unfold. Oh! the other thing about these new larger drawings is that I'm prepunching two holes at the top, so you can just easily hang them with two tiny pins in the wall....very informal, yet elegant, especially when there is a grouping of them. The first couple days of November are below.

I am changing things up a bit, which keeps me motivated, engaged and learning. That alone is a good lesson.....if you feel as if you are in a rut, make some small change and watch the ripples unfold. I added an inch in size to the drawings, I went reckless and allowed myself a vertical AND a horizontal orientation and now, I've gone and changed the paper....no telling what will unfold from here!! Stay tuned and thanks for your interest. Feel free to comment....happy to have the conversation if you are reading this blog. And if you have a daily process that you'd like to share, let me know!

One last note, Missouri Bend Studio has an email newsletter that comes out the first of each month. If you are interested in subscribing so that it reaches you directly in your in-box, just sign up here. Remember that you can also subscribe to these blog posts, right here on the blog sidebar. I look forward to hearing from you....see you next week!

 

The Image or the Object

Johntimothy and I spend much of our days in the studio….making things. We create prints or drawings or mixed media works. My works are one-of-a-kind and some of his are as well, but he will also produce small hand-printed editions. Sometimes we collaborate and make pieces that involved both of us working in our different ways on a single work. At our core, though, we consider ourselves makers of things, which is to say that the works we make are tangible and can be held in the hands. They have a physical presence and a tactile quality, whether that comes from paper dipped in beeswax or the raised ink on a hand printed etching or engraving. We come from a generation that values the object.

 

As a maker who would very much love to sell my work and send these pieces out into the world to folks who will love and appreciate them, I’ve been giving this notion of “the object” some thought, in light of the way that technology has revolutionized our culture. I have work available for sale in the Missouri Bend Studio shop here on this website, as well as through Missouri Bend Studio and The Art Filled Home on Etsy. I post fairly regularly on Instagram and Facebook and my work can be found all over Pinterest. While I do have many appreciators and buyers that I value greatly, and with whom I have established warm relationships, I struggle with the “business side” of selling the work.

The old tired line is that artists are not business minded and while that may be somewhat true for some, learning to engage in marketing and run a business, is really just another skill set….much like drawing. I believe anyone can learn to draw, as it is a matter of eye-hand coordination, and the basic skills can be taught and learned through practice. But, that’s another whole topic of conversation. I’ve learned a great deal in the past few years about various online platforms and navigating the ins and outs of creating websites, online storefronts, etc. While my first love is creating the art, I do love the work of engaging with people all over the world and am interested in maintaining the balance of time spent in the studio along with the business end of things.

 

But….here’s the thing. In our current culture, I am beginning to wonder if, for many folks, the image alone is enough. That is, perhaps now that everyone views most everything through the screen, whether on a desktop, laptop or a mobile device, we are so used to seeing images of things rather than the things themselves….well, one may have replaced the need for the other.  Perhaps the notion of purchasing no longer occurs to someone who sees a piece of artwork that they love, when the image of it can continue to be seen in an image feed, saved to a Pinterest board or captured in any number of other ways. Who needs the object, when you have a picture that represents it? For some, the image alone is satisfactory....it's good enough.

These various online platforms, that continue to multiply in new and exciting ways, provide astounding opportunities for exposure across the globe. I am thankful for the love and support of countless folks near and far, who let me know that my work inspires or brings joy.  I do send small works out several times a month, yet I have begun to seriously wonder about this notion of “the image” or “the object.”

These musings are not just about selling my own work, but have to do with the larger issues about our experience of the material world and whether we are living so deeply in the technological world that we are losing out on deep levels of tangible experience in nature…in the real world. We may be engaged and simultaneously disconnected. 

There is a vast range of experience that is missed when we only see the image of something, rather than the thing itself. Ink or paint on a surface, the nuance of color against color, the way changing light makes the work appear differently. Subtle marks can be missed entirely when viewing only online. I am always aware, when seeing or saving an image online, that it is just a kind of facsimile. The image points to the object, which exists somewhere else, but can by no means be replaced by an image of it. I fear the day when we no longer know the difference.

All this runs through my head even as I entertain the idea of creating an online subscription of the daily drawings or try to figure out new ways to market the work online. I continue to come back to the notion that there is no substitute for the object, as least in the work that I create. I would love to hear from you about your views on these issues. This post is a conversation starter, so feel free to let me know your thoughts here in the comments.

In the meantime, the visuals on this post are some of the recent daily drawings, available for sale at MissouriBendStudio on Etsy. (Buy 5, get one free….it’s a great deal!). I try to post them each day on Instagram, so go ahead and follow me there if you like. But remember, they are better in person….there's no substitute for the real thing.

 

Trace Drawings: A Daily Practice

the daily practice with lights out

the daily practice with lights out

Johntimothy has a daily practice that we'll share with you today. As seen in the photo above, he makes "trace drawings" from the reflections of the light passing through glass. In playing with the arrangement of objects and tracing the lines in the reflections, he creates beautiful abstract drawings filled with pattern and wonder! I asked him a few questions about his daily practice so he could share some of the process with our readers.

the daily practice with lights on

the daily practice with lights on

Your daily drawings are the result of the play of light and shadows on glass. How did you come to use this process?

For the longest time, I have been captivated by shadows and reflections. It was early on in my time in Sarasota, now decades ago, that I first traced the reflections from a water glass on a cloth tablecloth at a holiday function. I enjoyed the translation of the image into line. Since that time, I’ve played with these trace drawings off and on. Now, that I am on sabbatical for the semester, I decided to reengage with the idea more in depth as a basis for a daily practice.

daily drawings (detail 1)

daily drawings (detail 1)

daily drawings (detail 2)

daily drawings (detail 2)

What do you enjoy the most about the process of these trace drawings…or what do you find most satisfying?

It’s an image, but not an image. It’s actally an image from the external world, but abstract. Someone looking at these drawings would not know that they are drawings of the reflections of light passing through glass.

There is a meditative quality to drawing them and that was part of what drew me to making them. In one sense, I don’t have to think about it and I can just be in the moment, with the drawing. Partly, I hoped this process would help me find a direction for my work.

When they are all laid out in a line on the floor…it is kind of fun. They are a timeline, a visual timeline. I am fascinated by how they flow together and part of that is because of the repeated lines and marks of the drawn shapes.

laying out the daily drawings....most recent first, moving back in time

laying out the daily drawings....most recent first, moving back in time

Daily drawing timeline

Daily drawing timeline

Do you see these drawings as an end in themselves or do you find yourself visualizing them translated into prints?

No, I don’t see them as being anything more than what they are at this point in time. That would be a forced thing, so I am happy with them just being what they are.

daily drawings (detail 3)

daily drawings (detail 3)

daily drawings (detail 4)

daily drawings (detail 4)

 

Meditation Through Drawing: Notes on the Daily Practice

Daily Drawing August 19, 2017

Daily Drawing August 19, 2017

 

I’d like to talk a little bit here about the daily drawing ritual that keeps me grounded and balanced.  I call the practice Drawing Meditation, as it shares some similarities with a more traditional sitting meditation that focuses on the breath.

Meditation can take many forms, but often one sits quietly and focuses on the breath, working to detach from the thoughts and distractions that inevitably flood the mind. The idea, as I’ve always understood it, is to let go and not get caught up in the “monkey mind” that keeps us all on edge and off balance.

August 20, 2017 daily drawing (sold)

August 20, 2017 daily drawing (sold)

I do this same thing through drawing. I sit down each morning with a sheet of 6” x 4” blank Japanese paper and a pencil and often a bit of watercolor. With no attempt to make a particular drawing, that is, with no idea what will emerge, the drawing begins. The process is one of letting go, as I let my hand make the marks on the page. There is a kind of remove, as I become the observer, detached….there and not there, fully present but not exerting control….letting go.  In this practice, watching your hand move across the page is akin to focusing on the breath. 

Daily drawing August 21, 2017

Daily drawing August 21, 2017

If you are in a mindful state and not exerting control, there will be a kind of detached wonder at what emerges on the page.  Remember, that inner critic has been banned from entering the room, so you are free! Think of it as a kind of dance. You will know from within when you are finished. Since there are no rules, there is no need to fill the page…there may be just a few stray marks, but you will be in tune with your own sense of balance and composition, the weight of line, the sense of space etc. What emerges on the page may not be anything you recognize in the outer world around you. At the end, the drawing you've made may or may not be to your liking...but, the product isn’t the point. I believe that you will have begun to tap into your inner landscape….that place that is your source, where your knowledge and wisdom reside. 

Daily drawing August 22, 2017

Daily drawing August 22, 2017

My drawing meditation practice may last just five or ten minutes, but there are no rules, so it might take you longer. But the idea is not to labor over it....if you find you are putting effort into thinking about it  or about what to do next, you may not be in the flow of it. Like anything, it may take practice, so If you are new to this, it may take some time to be able to relinquish control. You are not making a “drawing”, but the drawing is reflecting you, in a sense.  Over the course of time, with such a daily practice, you will begin to see and have a sense of your own mark making and I also believe you will develop a new kind of trust and connection with yourself. Strangely, in the process of letting go, you may feel more in touch.

Daily drawing August 23 2017

Daily drawing August 23 2017

I’ve carried on with this daily practice on and off for many years now. There are periods when I drop it or the dedication falls by the wayside, not necessarily intentionally, but because life gets a bit crazy. But I am also reminded how important and fundamental it is for me when I return to it. My sense of equilibrium and balance is restored. 

Daily drawing August 24, 2017

Daily drawing August 24, 2017

I've shared here a week of daily drawings....each one different, each one a reflection of a the few introspective moments when time slows down and the inner landscape reveals itself. The invisible made visible.

I have many of these daily drawings, the result of this meditation practice, available at a reasonable cost in my Etsy shop, Missouri Bend Studio. Countless dozens are available in the shop and hundreds more lay about in stacks in the studio. That may seem contradictory to everything I’ve just said about the process not having to result in a product. Let’s talk about that next time….I have some thoughts to share!

In the meantime, before I post today's daily drawing, just a note to let you know I am planning a newsletter that will go out the first of each month (or thereabouts!). In addition to news and updates, newsletter subscribers will receive a discount on purchases in the shop here at Missouri Bend Studio. I'd love it if you subscribed! You can do that by filling out your name and email address on the form located on the About Us page here on the website. Don't worry, your contact information stays here. I'm still working out the ideas and format for the newsletter, so please let me know if there are things you'd like to see or hear more about. Look forward to hearing from you....enjoy your weekend!

 
 

Navigating the Waters

July 6, 2017 daily drawing

July 6, 2017 daily drawing

I seem to be carving out a bit more time in the studio....enough to get back to the dailies and finish up a couple more ambitious pieces. This summer is filled with visitors and trips, both near and far, so this open window of time is not going to last long....but for now, I'm enjoying the rhythm.

Explorers' Notebooks, no.5

Explorers' Notebooks, no.5

 

Another finished piece in the Explorers' Notebooks series. The slow pace involved in making these pieces gives me time to ponder....what they reveal and what they conceal. I wonder if those words, caught in the net, are a metaphor for unspoken thoughts or unrealized dreams. Are they words undelivered or perhaps caught, just in time, allowing them to be sorted and spoken with more care? And that river....it's the one I look at every day out my window, but it is so much more than that, of course. I think of it as the river of time, of memory....the one that sweeps all our days away to join the others downstream, the one that reminds us that change is constant and each day we have the chance to begin anew.

Gathering of Stones

Gathering of Stones

 

Johntimothy and I are also in the process of collaborating on mixed media print works, which we sell in our Etsy shop, The Art Filled Home. You can view many of these works here on our website, as well. I have a stack of beautiful patterned silkscreen pieces that he has made, ready for me to draw on, but I seem to have gotten away from them of late. This week, I finished one up that I like very much. I find I am drawn to a slightly off-kilter composition, just out of balance, yet one that invites relaxation and contemplation. Stones, such as these, often find their way into my work, as yet another signifier of time and memory. And those flowing lines....in some ways, they are much like a river. This piece is just as much Johntimothy's as it is mine....he sets up the color palette and the subtle patterns and I respond with drawing. We have much to explore in this area, with plans to create more scroll-like compositions, playing more with juxtaposing pattern and image. Stay tuned!

 
A newly created fire pit area out by the river

A newly created fire pit area out by the river

Meanwhile, earlier this summer we (meaning, mostly Johntimothy) put the finishing touches on the fire pit area, the project we began last summer. It's so wonderful to be out by the water on a not-too-hot summer afternoon with a cool, refreshing drink. It feels as if we have a whole new living room, actually! There have been quite a few fires in that fire pit, but evenings lately have been a bit muggy. But, Johntimothy has wood, branches and kindling placed just so in there....we're ready on the next night that's just a bit cooler. Actually, I believe I'll head out there now! Until next time....enjoy your week!