Autumn Nocturne

Autumn Nocturne no. 1 (in process)

Autumn Nocturne no. 1 (in process)

Days are getting progressively shorter and the nights noticeably cooler as autumn waits in the wings just around the corner. I find myself now drawn back into blue...indigo that is, and the deep richness that calls to mind another series of Nocturne pieces. While the word nocturne most often refers to a music composition, the meaning of the word harkens back to the darkness of the night sky. 

Some folks are night people, more awake and alive at night. I'm not one of them, actually. I much prefer the daylight hours, but still, I am fascinated by the kaleidoscope of stars in the night sky, the immensity of the cosmos, and the vastness of deep time. Those ideas inspired a series of ink drawings I did some years ago....white ink on handmade paper painted with multiple layers of deep blue acrylic. I don't believe I still have any of them, but one from the series is pictured below.

Nocturne no. 6

Nocturne no. 6

A new series of nocturnes seems to be underway, and though based in blue, it is taking a different turn. I am still experimenting with paper and materials, but I've started on a thin Japanese relief printing paper that can take a bit of moisture. The blue in that first piece at the top of this post was laid down with a few layers of flat water-based screen printing, thanks to Johntimothy. Payne's gray and white ink for the drawing. I like the contrast of the white, but also the way the dark ink lays on the blue paper. The drawing on that is finished and I've already dipped it in beeswax, so will do some sewing next, I think. 

Autumn Nocturne no.2 (in process)

Autumn Nocturne no.2 (in process)

In the piece pictured above (not yet dipped in beeswax), the base blue comes from several layers of overlapping brushstrokes of indigo watercolor, with white ink for the drawing. Both of these pieces are 12" x 9", which is just a bit bigger than I normally work and just enough bigger that it makes dipping them in the beeswax, just a little more problematic. I keep the beeswax in an electric skillet, so the size is somewhat limiting. Good thing I prefer to work small!

So the new series which I've taken to calling Autumn Nocturnes, to differentiate it from the first series, is more about the ideas associated with connecting the dots. This is a theme that shows up in my work at various times. While it may appear as only a formal design element, it is much more than that. I'm quite enamored with dots, with connecting them and how that works as a metaphor for finding and making meaning. When we look up at the night sky, for instance, our field of vision is completely filled with sparkling "dots"....stars whose light is billions of years old and now just reaches us across time and space. As humans, over the eons, we have connected the dots and created constellations....not only to orient us, but to ground us, creating context and meaning out of the void.

But I think of this. When we connect the dots a certain way, we have to know that those same dots could be connected in a different pattern, which would reveal a different image, allow for different meanings to emerge. It could be this, but it could just as easily be otherwise. And I think of this too. If we make sense of the world and create meaning for our lives from the events that occur out in the world, we have to know that those same objective events, seen from another point of view, might look quite differently....those dots might very well be connected in other ways....ways that would result in another pattern, another image. Those connections would then lead to another, quite different conclusion. Connect-the-dots is a metaphor...for making meaning and a reminder that it might do us well to keep in mind that what we think of as a given, may only be a result of the way we've connected the dots, So many reasons....our culture, our experience, our fears. What appears one moment to be "true" may not be quite so grounded as we think, when we look at pattern of connected dots whose meaning is made from another's experience....someone else has connected the dots. Maybe it's a way to start the conversation over difference. Maybe we can come together to agree on the way some of the dots should be connected....one that will be meaningful to everyone.

I'll share these pieces again once they are finished! We'll see what unfolds from here. 

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Thanks so much for interest in Missouri Bend Studio. If you are seeing this post on the day it is written, one last reminder of the Labor Day Etsy sale....I'm offering 20% off everything at Missouri Bend Studio (use coupon code: LABORDAY2017 at checkout), but sale only runs through Monday, September 4th. Enjoy your week...see you soon!