Prints in Process: A Visit with Johntimothy Pizzuto

Greetings, with an update from Missouri Bend Studio, where Johntimothy and I are busy in the studio. As I've given some thought to this blog, I think we'll focus a Tuesday post on what Johntimothy is up to, both in and out of the studio and a Friday post will feature my work...Studio J and Studio P, so to speak. So, today is Johntimothy's day....I'll follow him around a bit!

Working on one of many mixed intaglio plates he has in the works!

Working on one of many mixed intaglio plates he has in the works!

Johntimothy and I have been attempting to maintain a somewhat strict studio schedule of late, trying to keep ourselves productive and on course. He is on sabbatical this semester and therefore doesn't have any classes to teach, so is dedicated to spending time making new work and finishing some other projects. We both spend mornings in the studio and he too has begun working on his own daily drawing project....but, more on that another time. 

This morning he worked on a number of plates he has had in process. All are intaglio plates, which means that he is creating the image by incising into the plate with various tools. Intaglio is a broad term, which might include any number of processes such as etching, engraving, drypoint, or mezzotint, to name a few....and in fact, to name all the processes that have some part to play in each of the plates he is currently working on! He refers to them as "mixed intaglio". Some of the tools that come into use can be seen below on his desk. That's quite a magnifier, eh? I think my work is hard on the eyes, but try drawing fine lines and tiny marks through a zinc plate and being able to see what in the world you've done!

John at work 2 8 29 17.jpg

Over lunch I asked Johntimothy to define the printmaker's lingo in layman's terms, so I could help relay it to our readers. I'll give you the basics here, but you can click on each of the terms and be taken to more expansive Wikipedia definitions and discussion. He loves all these processes and depending on what he wants the image to reveal and what kind of mark he wants to make, he will choose the method and proper tool for working the plate.

Drypoint: drawing directly into the matrix or printing plate (could be metal or even plexiglas) with a sharp stylus.

Etching: image in the plate is the result of etching with acid or corrosive salt (he uses ferric chrloride, a safer etchant) in order to hold ink.

Engraving: Cutting incised lines in a metal printing plate with the use of a burin (there's also wood engraving, but that uses different tools).

Mezzotint: Reductive process in which the drawing is revealed by scraping and burnishing the image of the dark background surface created by a making a field of dense burrs with a tool called a rocker. Mezzotint creates a tonal image.

Those are very basic ways to describe the different processes, so I encourage you to follow up and investigate these links to find more information. You will see the evidence of all of these processes in his work....check out his gallery page here on the website.

Earlier proof below, today's proof above

Earlier proof below, today's proof above

So, after working on a plate for some time, it will be time to see just where it is and how far it's come from the last proof. So today, some fresh proofs ended up pinned to the board in the studio. Check them out....everything still a work in process. He'll often pin an earlier version below and the fresh proof above in order to check progress, as seen here.

Earlier proof below, today's proof above

Earlier proof below, today's proof above

The changes in the print immediately above here are the most striking. See especially the difference in the rich darks that show up in the upper example. That's the he "rocked" that part of the plate to create the tiny burrs that hold a lot of ink, creating that rich, deep black. Where you see white on the plate, the ink is wiped off, leaving ink only in the incised lines that show the image. This image will go through quite a bit more change, I'm quite sure. I'm glad he was ready to do some proofing today, as there are many many hours of work on the plates in between printing even just a proof.

I have immense appreciation and respect for printmakers and ability to create such richness from a simple piece of metal. There is a long history, tradition and dedication to craft that comes with the territory, which draws many folks to become printmakers....and others of us to love what they are able to create!